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PHI Centre
Galeries 2 & 3
315 Saint-Paul St West
Montreal, Quebec, H2Y 2A3
The Taiwan Spotlight was presented as part of the Chaos & Memories exhibition.
For more information, consult the Chaos & Memories page.
Before visiting, please review some essential information about the visit, including details on accessibility at the Centre.
To plan a school, community or corporate visit, go to our Group Visits page.
For more details on safety measures in place at the PHI Centre, visit our COVID-19 page.
Four award-winning Taiwanese virtual reality works that take us through personal, empirical and historical experiences.
We are comforted by “facts.” The sun rises in the east. There are twenty-four hours in a day. I exist. These truisms simplify our lives, enabling us to get through the process of living. All That Remains is a meditation on the fluid boundary between dream and reality.
Warning: Contains nudity
By Craig Quintero
Country: Taiwan
12 minutes | English
2022
Canadian Premiere
Official Selection, Venice International Film Festival, 2022
Official Selection, Thessaloniki International Film Festival, 2022
Director: Craig Quintero
Producer: Lynn Yeh
Actors: Yu-Hsin Yu, Ollie Huang, Hsu-Fang Tung, Chih-Hen Hsu, Carl Johnson
At a train station floating in the clouds, a mysterious red tail catches a boy’s attention. Chasing the red tail, the boy travels through countless magical places, runs into bizarre creatures, and finally encounters a gentleman, who seems to know his secrets more than he does. When the red tail reminds the boy of his own memories and sadness, what secrets are hidden behind, and where will they lead him next? Inspired by Wang’s same-named comic story, the mysterious red tail leads viewers on a magical journey, creating a poetic metaphor for our childhood memories.
By Fish Wang
Country: Taiwan
20 minutes | English, Mandarin
2022
Canadian Premiere
Official Selection, Cannes XR Film Market, 2022
Official Selection, Venice International Film Festival, 2022
Director: Fish Wang
Production: Zero One Film (Yi-Ching Chen) Funique VR Studio (Blank Hsieh) PTS Taiwan (Yi-Hua Wang) Kaohsiung Film Archive (Chiao-Lin Hsieh)
Actors: Bob Liu, Hsuan Huang, Bamboo Chen, Yi-Han Wu, Pi-Wen LEI
Screenplay: Fish Wang
Music: Summer Lei, Stephan Hwang
Sound: Chin Lun Kao, Yi-Mei Huang, WJ Wu
Lead developer: Ming-Yuan Chuan
Developers: Jamie Hsieh, Guan-Yu Lu
Designers: Tina Wang, Fish Wang
Artists: Ming-Yuan Chuan, Kang LI, Ming-Yang Yeh, Didi Chen, Sven Huang, Ching-Wei Hung
Project Manager: Tzu-Chia Tan, Linn Chiou
Within the walls of the former Green Island prison, political detainee A-Kuen, tells the stories of imprisonment and persecution that happened in the 1950s in Taiwan. Among fellow inmates, frozen in time, he recounts his own experiences and those of his friend, A-Ching, who never made it out. Experience the time, place, and the waiting, hoping for a chance to keep the stories alive. The Man Who Couldn’t Leave integrates the stories of numerous political victims of the White Terror and is told through the form of an undelivered family letter. An immersive VR experience of hope, fear and camaraderie.
Warning: Violent content
By Chen Singing
Country: Taiwan
35 minutes | English, Mandarin, Taiwanese
2022
Canadian Premiere
Asian Première, VR Competition, Kaohsiung Film Festival, 2022
Best Experience - Category Immersive, Venice International Film Festival, 2022
Director: Chen Singing
Production: The Walkers Films, Outland Film Production
Screenplay: Lin Hsin-l, Singing Chen, Lou Yi-An
Cinematographer: Liao Ching-Yao, William Cho
Editor: Yen Ping-Ying, Liu Wei-Yi
Music: Yujun Wang
Sound: Chou Cheng
Art Directors: Huang Mei-Ching, Tu Shuo-Feng
Lead Developer: Chuan Ming-Yuan
Developers: Yeh Ming-Yang, Chen Yi-Xuan, Didi Chen, Sven Hung
Designers: Yang Ching-Ya, Wang Shu-Feng, Vovi Huang, Huang Ke Xin
Artists: Li Kang, Lin Hang-Ping, Hsieh Yi-Fang
Tsai Ming-Liang, the Taiwanese maestro of slow cinema, doesn’t have a real “missing picture,” but what he does have are childhood memories, memories so vivid they've been impossible to translate into film. In this episode, he shows us why this is the case in a moving tribute to his grandparents, who took him to see two movies every night during the sixties in Malaysia.
By Clément Deneux
Country: France, United Kingdom, Taiwan, Luxembourg, South Korea
11 minutes | English, French, German, Mandarin, Korean
2022
Canadian Premiere
World Premiere, Tribeca Film Festival, 2022
Asia premiere, BIFAN, 2022
Director: Clément Deneux
Co-Director: Kuan-Yuan Lai
Starring: Tsai Ming-Liang
Original Idea: Joseph Beauregard
Music: Thomas Foguenne
Produced by Atlas V, ARTE France, BBC, PTS, Serendipity Films, Wild Fang Films, Giioii
With the support from CNC, Pictanovo, Région Auvergne-Rhône-Alpes, Procirep-Angoa, TAICCA, Film Fund Luxembourg, RAPA and Ministry of Science and ICT (Republic of Korea)
Past Event
Centre
An exhibition comprising a British immersive installation and four award-winning Taiwanese virtual reality works that take us through personal, empirical and historical experiences
Past Event
Centre
An exhibition comprising a British immersive installation and four award-winning Taiwanese virtual reality works that take us through personal, empirical and historical experiences
Free
Centre
The PHI Centre showcases a light installation with evolving content, adapting to the seasons and exhibitions
Off-Site Location
The immersive experience Horizon of Khufu, presented in the Old Port, is a unique VR expedition to discover the wonders of Egypt
Free
Centre
A monthly gathering of live performances where art comes to life
Centre
Tune out outside noise and immerse yourself in one of Montreal's only spatial audio listening rooms. The artists: Daft Punk, Gayance, Daniel Bélanger, Karkwa, and more
Free
Foundation
The PHI Foundation for Contemporary Art is pleased to present the North American premiere of FEELING HER WAY by Sonia Boyce DBE RA
Free
Foundation
The PHI Foundation for Contemporary Art is pleased to present Rajni Perera and Marigold Santos: Efflorescence/The Way We Wake, an exhibition featuring recent paintings and sculptures produced by each artist from 2021 to 2024
Free
Foundation
Reflexive Constructions is a public engagement project by artist Natacha Clitandre taking place in the PHI Foundation’s Education Room, in parallel with the exhibitions Sonia Boyce: FEELING HER WAY and Rajni Perera and Marigold Santos: Efflorescence/The Way We Wake
Free
Foundation
This drop-in activity invites the public to share names of BIPOC women who have contributed and contribute to the music scene locally and nationally, and to share anecdotes, testimonies and recollections of their importance in music history