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INVISIBLE VOICES

The Program

SUPPORTED BY THE PHI RESIDENCIES

Invisible Voices is a three-day intensive program, including a final evening of presentations that will grant 6 to 8 creators and storytellers from Black communities from the Greater Montréal area the opportunity to benefit from masterclasses and mentoring sessions presented at PHI. This professional development program will allow participants to learn and exchange on a variety of themes, such as innovative storytelling, music, directing, animation, editing, the challenges of filmmaking, funding and grants, and much more.

Directed by Jorge Camarotti, the program takes an intersectional approach, focusing on the dynamics that shape underrepresented communities and their impacts on creative storytelling, production, and distribution.

The goal of this program is to create a space for students, partners, innovators, storytellers, and experts to collaborate, with the hopes of expanding and amplifying the intersections of art, culture and society within local Black communities.

Discover the program mentors ↓

To Apply

Deadline to submit an application:
May 4, 2025, at 11:59 PM EDT

Please refer to the "Frequently Asked Questions" (FAQ) below for more detailed information about the selection process, criteria of the Invisible Voices program.

Step 1

Click the button below to download the PDF document to fill out, then save your completed file in PDF format.

Note: We highly recommend using Adobe Acrobat to fill out the form.

Step 2

Fill out and submit the form below.

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2025 Program Mentors

Veronique Barbe credit Kristina Wagenbauer

Véronique Barbe

How Editing Can Transform a Story

Véronique Barbe is an editor working on Canadian and American productions across film, television, documentary, and advertising. She is driven by the belief that storytelling—by stimulating empathy and reflection—has the power to influence how we perceive the world, ourselves, and others. In television, she has worked on the HBO series Big Little Lies and Sharp Objects, both directed by Jean-Marc Vallée, as well as the CRAVE series So Long Marianne. In film, she has contributed to the editing of several short and feature-length films, including The Rest of Us, Rodeo, and Balestra. Passionate about her craft, she works closely with directors to elevate their vision and convey the inner lives of their characters.
Beata Calińska

Beata Calińska

Innovation: Immersive Storytelling

Beata Calińska is the Associate Director of The Music Center’s Digital Innovation Initiative in Los Angeles, curating experiences for multidisciplinary arts centers. From 2019 to 2024, she managed Sundance Institute’s New Frontier programs, overseeing Labs and Festival exhibitions. Her work on The Spaceship, an immersive platform for the 2022 Sundance Film Festival, earned a Webby Award in Arts & Culture. Beata’s career spans cultural diplomacy and collaborations with international creative studios and artists. She serves as a hosting organizer for the Royal Shakespeare Company’s Interdisciplinary Fellowship and as a mentor and jury member for festivals including Tribeca Immersive, FilmGate Miami, DOK Leipzig, Sarajevo Film Festival, and the Cubaverso - XR lab in Havana.
Cristoobal Tapia de Veer

Cristobal Tapia de Veer

Storytelling and Music: Crafting Perfect Harmony

Cristo is a three-time Emmy and BAFTA-winning composer and multi-instrumentalist, whose classical music training and ingenious sense of composition opened a new dimension to cinematic music and brought him iconic status. He is widely known for his works on critically acclaimed cult series like C4’s Utopia, Black Mirror, The White Lotus or #1 box-office surprise hit Smile (Paramount).
Miryam Charles credit Claudie Ann Landry

Miryam Charles

Poetic and Sensorial Storytelling in Film

Miryam Charles is a Haitian-Canadian director, producer and cinematographer living in Montréal. She has produced several short and feature films. Her films have been presented in various festivals in Quebec and internationally. Her first feature film This House was presented at the Berlinale, the AFI film festival this year and was also included in the TIFF Top 10 of the year 2022. She also launched the short film At Dusk at the Locarno Film Festival.
Aisling Chinyee1 credit Dariane Sanchez

Aisling Chin-Yee

Producing Across Different Mediums

Aisling Chin-Yee is an award-winning producer, writer, and director based in Montréal, Canada, and Los Angeles, California. In 2024, she was awarded the Trailblazer Award by the Reel World Film Festival. She won the Directors Guild of Canada award for directorial achievement in a mini-series for the CBC series Plan B, starring Patrick J Adams in 2023. In 2021, Aisling was celebrated as one of DOC NYC and HBO Documentary’s 40 Under 40. New Yorker Magazine hailed Aisling’s latest film as “a genre unto itself” and one of the magazine’s Best Movies of 2021. She also won the DGC Award for Best Editing in Documentary in 2021. She was named one of Canada’s Rising Film Stars by Now Magazine in 2019 and by The Montreal Gazette in 2020, after her debut feature film, The Rest of Us, premiered at TIFF19. Aisling also produced critically acclaimed films such as Rhymes for Young Ghouls, The Saver, and Last Woman Standing.
Heather O Neill credit Julie Artacho

Heather O’Neill

Memoir Storytelling

Heather O’Neill is a novelist, short story writer and essayist. Her bestselling novels include Lullabies for Little Criminals, The Lonely Hearts Hotel, When We Lost Our Heads and The Capital of Dreams. She has won numerous prizes for her books, including Canada Reads, the Danuta Gleed Award and the Hugh Maclennan Prize. She has also been shortlisted for, among others, the Governor General Award, the Women’s Prize, and the Giller Prize. She has contributed to numerous publications including The Guardian, The New York Times, and The Globe and Mail. Her book Valentine in Montreal, which was written in serialized form in the Montreal Gazette, is forthcoming in July 2025. Born and raised in Montréal, she lives there today.
Michael Fukushima

Michael Fukushima

Storytelling Through Animation

Michael Fukushima has been an animator and filmmaker for over 40 years, and from 1997 through 2021 was a producer for, and then head of, NFB Animation. He’s directed, produced, or exec produced well over 200 films, is a member of AMPAS®, and produced three Oscar-nominated animation shorts. Though mostly retired, he’s currently OCADU’s Experimental Animation Executive Producer-in-Residence, and advises a handful of his favourite artists and people.
Emily Paige

Emily Paige

Storytelling Through Animation

Emily Paige is the Co-founder and General Director at E.D. Films, a Montréal-based multimedia animation studio known for its unique approach to blending traditional practices with cutting-edge technology. For over two decades, Emily has produced critically acclaimed projects for international markets, ranging from animated films to digital tools to large-scale immersive exhibitions. Beyond the studio, Emily is a sought- after juror, advisor, and speaker at international industry events, including 2024 Grand Prix Numix Awards, 2024 Luxembourg Immersive Pavilion, and 2025 Durban Film Market. She also serves on the Board of Directors of the Cinémathèque québécoise and has been recognized as an FCTMN-Allia award recipient for her continued contributions to the digital creative industries.
Juliana Sakae credit Annete Owatari

Juliana Sakae

A Deep Dive into Film Awards and Festival Selections

Juliana Sakae is a film producer and publicist whose work focuses on human rights, and children. She has made significant contributions to the documentary community, representing 200+ filmmakers in the U.S. based distribution company GOOD DOCS, managing the competition that led to the International Documentary Association Awards (IDA Awards) and leading the Artists Programs at Brown Girls Doc Mafia. She also worked on the feature film The Human Trial as co-producer and the Emmy-winning Netflix’ docu-series Making a Murderer as assistant director. Juliana specialized in Oscars campaign, working with several contenders such as the New York Times short film Walk Run Cha-Cha nominated for an Oscar in 2019, and the Brazilian films Babenco - Tell Me When I Die, Private Desert, Out of Breath, Incompatible with Life and Mãri Hi - A Tree of Dream.
Jorge Camarotti

Jorge Camarotti

Getting Your First Public Grant

Born into a working-class family in São Paulo, Brazil, Jorge Camarotti is an award-winning Afro-Brazilian filmmaker based in Montréal since 2003. Since his beginnings in filmmaking, Jorge has directed more than a dozen short films, both documentary and fiction, remaining true to his mission of giving voice to the most aggrieved individuals in our society. His most recent project Ousmane had its world premiere at TIFF 2021, followed by an international premiere at the prestigious Clermont-Ferrand film festival. Oscar-nominated director Fernando Meirelles, City of God, joined Ousmane as executive producer and the film was acquired by the New Yorker Magazine for North American distribution. Ousmane has been screened in more than 60 festivals around the world so far.

Invisible Voices 2025


PROGRAM AND SCHEDULE OVERVIEW

Location: PHI, 407 Saint-Pierre Street, Montréal, Canada

  • Mandatory introduction session for all selected artists: July 16, 2025

  • Day 1: August 23, 2025 — Full day
    Online Mentorship: August 27, 2025, from 5 PM to 7 PM

  • Day 2: August 30, 2025 — Full day
    Online Mentorship: September 3, 2025, from 5 PM to 7 PM

  • Day 3: September 6, 2025 — Full day
    Online Mentorship: September 10, 2025, from 5 PM to 7 PM

  • Final Evening: October 15, 2025, starting 6 PM

The program, directed by Jorge Camarotti, consists of several master classes and mentoring sessions given by experts in their fields on various topics related to storytelling, including:

Producing Across Different Mediums

This mentorship explores how storytelling adapts across different formats. Participants will learn how producers shape a project’s vision, how documentary directors craft authentic narratives, and how TV directors maintain creative consistency in episodic storytelling. A comprehensive look at how narrative choices define each medium.

Storytelling Through Animation

This mentorship explores animation as a storytelling tool, blending creativity, emotion, and visual artistry. Participants will learn how to develop characters, environments, and moods while discussing different styles and techniques. A session on animation’s power to convey complex themes and engage audiences in new ways.

Memoir Storytelling

This mentorship focuses on transforming personal experiences into compelling narratives. Participants will explore how to balance truth and creativity, structure a memoir, develop their voice, and convey emotions. Whether for print, audio, or multimedia, this session provides the tools to craft authentic and resonant stories.

Storytelling and Music: Crafting Perfect Harmony

This mentorship explores the powerful role music plays in storytelling and how to collaborate with composers and artists to achieve the best results. Participants will learn how music can shape atmosphere, evoke emotion, and elevate visual storytelling. A session designed for artists who want to deepen their understanding of musical storytelling and craft more powerful, evocative narratives.

How Editing Can Transform a Story

This mentorship delves into the power of editing in shaping a narrative. Participants will explore how pacing, rhythm, and juxtaposition influence character development, tension, and emotional impact. A session on how editing is more than a technical skill—it’s a creative force that brings stories to life.

A Deep Dive into Film Awards and Festival Selections

This mentorship provides emerging storytellers an inside look at film awards and festival strategies. Participants will refine their narratives, explore industry strategies, and gain crucial insights into positioning their work for major awards. A session that merges artistic vision with industry expertise, empowering storytellers to advance their careers.

Getting Your First Public Grant

This mentorship guides emerging artists through the grant application process. Participants will learn strategies to structure compelling proposals, understanding eligibility criteria, and presenting their work effectively. The session also highlights funding initiatives for underrepresented artists, providing essential insights to navigate public funding with confidence.

Poetic and Sensorial Storytelling in Film

This masterclass examines how non-linear structures, visual symbolism, and soundscapes create immersive experiences. Participants will explore the fusion of personal memory and collective imagination, emphasizing vulnerability and intuition. A session for filmmakers looking to craft atmospheric and deeply resonant films.

Innovation: Immersive Storytelling

This masterclass explores the fusion of storytelling, technology, and audience interaction. Participants will learn how to design engaging, transportive environments by integrating narrative structure with technological advancements. A session for those looking to reinvent the art of storytelling.

What Artists Are Saying

“Joining the Invisible Voices program gave me the opportunity to connect and build relationships with fellow filmmakers and future collaborators. Led by Jorge Camarotti and the team at [PHI], their generosity and care were key to a beautiful experience.”

— Adam Mbowe, Invisible Voices 2024

Invisible Voices was a significant experience thanks to the support of seasoned mentors, whose exceptional and inspiring careers deeply nurtured me. Their invaluable advice gave me the confidence to assert my artistic voice and explore my project with greater boldness.”

— Phania Jean-Baptiste, Invisible Voices 2024

Invisible Voices was a true artistic breakthrough for my short film project. It greatly helped me unlock my creativity and screenwriting. It allowed me to encounter other worlds and draw inspiration from them to find my own. For me, it was an essential space for learning from the inspiring artistic journeys of racialized participants, as well as from the speakers and mentors.”

Anamê Gnanguenon, Invisible Voices 2024

Frequently Asked Questions

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