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Interview with the Bureau of Noncompetitive Research

  • Video
  • PHI Foundation
By  PHI

The Bureau of Noncompetitive Research is a group of artists and researchers who explore how slow philosophy, dialogue, collaboration, pedagogy, and public space intersect. 

Founded in 2021, the Bureau has taken on academic and artistic projects, namely Slowness and the Institution (2021), Pedagogy and Time (2022), and Giving Nothing (2023). The Bureau comprises Victoria Stanton, José Cortés, and Stacey Cann. Shortly after the making of this video, new members were hired: Po B. K. Lomami, as Bureaucrat, and Daniel Fiset, as Director of Curatorial Affairs.

*French and English subtitles available. Click on the button in the bottom right corner of the video to activate them.

Events with the Bureau of Noncompetitive Research

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Gathering over forty recent works, DHC/ART’s inaugural exhibition by conceptual artist Marc Quinn is the largest ever mounted in North America and the artist’s first solo show in Canada

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Re-enactments

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Six artists present works that in some way critically re-stage films, media spectacles, popular culture and, in one case, private moments of daily life

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Sophie Calle: Take Care of Yourself

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Christian Marclay: Replay

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DHC/ART Foundation for Contemporary Art is pleased to present the North American premiere of Christian Marclay’s Replay, a major exhibition gathering works in video by the internationally acclaimed artist

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Michal Rovner: Particles of Reality

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DHC/ART is pleased to present Particles of Reality, the first solo exhibition in Canada of the celebrated Israeli artist Michal Rovner, who divides her time between New York City and a farm in Israel

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Living Time

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The inaugural DHC Session exhibition, Living Time, brings together selected documentation of renowned Taiwanese-American performance artist Tehching Hsieh’s One Year Performances and the films of young Dutch artist, Guido van der Werve

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Eija-Liisa Ahtila: Int. Stage-Day

January 29 May 9, 2010

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Jenny Holzer

June 30 November 14, 2010

For more than thirty years, Jenny Holzer’s work has paired text and installation to examine personal and social realities

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