Free admission
Reservations required
For all ages
Thursday, August 24, 2023
In French: 4 PM to 5:30 PM
In English: 4 PM to 5:30 PM
Limited capacity
PHI Foundation
465 Saint-Jean Street, Education Room (SS01)
Montréal, Québec H2Y 2R5
• The wearing of masks is no longer mandatory.
• Masks are at your disposal, if desired.
• Gel hand sanitizing stations.
If you have symptoms associated with COVID-19, please postpone your visit.
Before visiting, please review all essential information about the visit, including details on accessibility at the Foundation.
The PHI Foundation for Contemporary Art invites you to discover the exhibitions Inhabiting the Imaginary by Moridja Kitenge Banza and Forgotten Traces by artists Amélie Brisson-Darveau and Pavitra Wickramasinghe. The visit will be led by educators from the PHI Foundation. It will also include a brief introduction to the event series REMEMBER, PERFORM, FORGET: Binding Space Through Utopia.
Past Event
Exhibition • Contemporary Art
The PHI Foundation for Contemporary Art is pleased to present a solo exhibition by Moridja Kitenge Banza: Inhabiting the Imaginary
451 Saint-Jean Street
Past Event
Exhibition • Contemporary Art
The exhibition marks the end of Wickramasinghe and Brisson-Darveau’s PHI Montréal public engagement residency, realized between September 2022 and June 2023
451 Saint-Jean Street
Past Event
Event • Contemporary Art
A program of gatherings with Kerstin Honeit, The Society of Affective Archives, and Rodolfo Andaur, that is grounded in historical references that problematize the notion of place and public art
451 Saint-Jean Street
Past Event
451 Saint-Jean Street
The PHI Foundation for Contemporary Art is pleased to present a solo exhibition by Moridja Kitenge Banza: Inhabiting the Imaginary
Past Event
451 Saint-Jean Street
The exhibition marks the end of Wickramasinghe and Brisson-Darveau’s PHI Montréal public engagement residency, realized between September 2022 and June 2023
Past Event
451 Saint-Jean Street
A program of gatherings with Kerstin Honeit, The Society of Affective Archives, and Rodolfo Andaur, that is grounded in historical references that problematize the notion of place and public art
