Gathering over forty recent works, DHC/ART’s inaugural exhibition by conceptual artist Marc Quinn is the largest ever mounted in North America and the artist’s first solo show in Canada
Six artists present works that in some way critically re-stage films, media spectacles, popular culture and, in one case, private moments of daily life
This poetic and often touching project speaks to us all about our relation to the loved one
DHC/ART Foundation for Contemporary Art is pleased to present the North American premiere of Christian Marclay’s Replay, a major exhibition gathering works in video by the internationally acclaimed artist
DHC/ART is pleased to present Particles of Reality, the first solo exhibition in Canada of the celebrated Israeli artist Michal Rovner, who divides her time between New York City and a farm in Israel
The inaugural DHC Session exhibition, Living Time, brings together selected documentation of renowned Taiwanese-American performance artist Tehching Hsieh’s One Year Performances and the films of young Dutch artist, Guido van der Werve
Eija-Liisa Ahtila’s film installations experiment with narrative storytelling, creating extraordinary tales out of ordinary human experiences
For more than thirty years, Jenny Holzer’s work has paired text and installation to examine personal and social realities
Ceal Floyer’s art displays a clarity of thought within elegantly concise presentations.
One of the most provocative and successful artists of his generation, John Currin makes delightfully bad, perverse paintings which enchant and repel in equal measure.
DHC/ART is delighted to present two concurrent solo exhibitions by acclaimed Belgian sculptor Berlinde De Bruyckere and American painter John Currin
The exhibition explores different notions of disappearance articulated across the personal, social and political realms
DHC/ART Foundation for Contemporary Art is delighted to present Ryoji Ikeda’s first survey exhibition in North America.
A philosophical commentator on the authenticity of the “real” and the slippages of memory, Thomas Demand is a well-known German photographer who began as a sculptor, but is now widely acclaimed for photographic and moving image works
Trained initially in classical guitar and music technology at the Oberlin Conservatory of Music, Cory Arcangel is now recognized as a major exponent of a pop-tinged, computer-centred art
This new exhibition organized in collaboration with Serpentine Galleries in London invites us to behold their horrific, irreverent and humorous takes on consumer culture, morality and art history.
DHC/ART is pleased to present the Canadian debut of The Enclave by Irish artist Richard Mosse, first presented at the Pavillion of Ireland at the 55th edition of the Venice Biennial.
Valérie Belin creates monumental monochrome or hyper-saturated colour images that meet at the intersections of still life, the studio portrait, and concepts of minimalist sculpture.
Shonibare has become known worldwide for his use of Dutch-wax fabric as a conceptual and formal device in all of his work
DHC/ART Foundation for Contemporary Art is pleased to present IMAGINE BRAZIL, a major exhibition of contemporary art from Brazil.
This first retrospective in Canada devoted to the American multi-media artist Joan Jonas (b. 1936) will give insight into the artist’s œuvre, spanning over five decades
Red Bull Music Academy and Phi present the North American premiere of Björk Digital, in association with DHC/ART Foundation for Contemporary Art
Since the late 1980s, Belgian artist Wim Delvoye has been challenging the art world status quo through a multidisciplinary practice that includes sculpture, drawing, photography, installation, and video.
Atkins’s works conjure a delirious portrait of a collective contemporary psyche: dissociative, sociopathic, misanthropic, absurd, desperate, and vulnerable.
This exhibition features works that engage with the complex concept of ‘gift’ and its attendant links with notions of exchange, reciprocity, value, labour, trace, ritual, gratitude, altruism, obligation, generosity, and connection.
This monumental projection depicts the five stages of awakening through a series of violent transformations, exploring the very nature of our existence: life, death, birth, and rebirth.
Bharti Kher’s work underlines the productivity of disparate combinations in disrupting a world that insists on defining human experience and its cultural expressions.