
Free
Water Road
November 24 → July 10
The PHI Centre building comes to life with an interactive multimedia installation of a motion-activated river on its four-story windows on Saint-Pierre Street
PHI Foundation
451 & 465 Saint-Jean Street
Montréal, Québec H2Y 2R5
Wednesday to Sunday:
11 AM to 6 PM
Free admission
DHC/ART Foundation for Contemporary Art is delighted to present Ryoji Ikeda’s first survey exhibition in North America.
A fascinating and troubling poet of the digital age, Ikeda’s profound investigations in sound, time and space have their basis in mathematical methods which result in works of spare, sublime, if occasionally ear-splitting beauty. Spanning the microscopic to the infinite, his performances, installations and artworks variously produce sine waves, sound pulses, pixels of light and numerical data – sometimes in extraordinary combinations.
The artist has conceived a conceptual counterpoint between DHC/ART’s two buildings: the main space will display framed works, light boxes, sculptural works and works on paper under the rubric systematics. In the Satellite space Ikeda will present audiovisual projects, orchestrated as a symphonic whole, from the datamatics series which tests the limits of perception by visualizing the invisible data streams which permeate our world.
Japan’s leading electronic composer and visual artist, Ryoji Ikeda has gained a reputation as one of the few international artists working convincingly across both visual and sonic media. He elaborately orchestrates sound, visuals, materials, physical phenomena and mathematical notions into immersive live performances and installations.
Alongside pure musical activities, Ikeda has been working on long-term installation projects: datamatics (2006-) consisting of moving image, sculptural, sound and new media works that explore how abstracted views of reality are used to encode, understand and control the world. The project test pattern (2008-) has developed a system that converts any type of data – text, sounds, photos and movies – into barcode patterns and binary patterns of 0s and 1s. The series spectra (2001-) consists of large-scale installations employing intense white light as a sculptural material transforming public locations in Amsterdam, Paris, Barcelona and Nagoya.
Elements of this installation were provided by Park Avenue Armory.
With the cooperation of Gallery Koyanagi. The exhibition of Ryoji Ikeda is supported by the Japan Foundation. This exhibition is presented within the first International Digital Arts Biennal (BIAN 2012).
Ryoji Ikeda
Ryoji Ikeda was born in 1966 in Gifu, Japan. He now lives and works in Paris. He has performed and exhibited worldwide including Australian Centre for the Moving Image, Melbourne; MIT, Boston; Centre Pompidou, Paris; Sónar Festival Barcelona; Tate Modern, London; Irish Museum of Modern Art, Dublin; Auditorium Parco della Musica, Roma; lCC, Tokyo; Art Beijing; Göteborg Biennale; MUTEK Festival, and many other electronic music festivals and small DJ clubs.
Free
The PHI Centre building comes to life with an interactive multimedia installation of a motion-activated river on its four-story windows on Saint-Pierre Street
Free
An ongoing collection of contemporary artworks, accessible and free at the PHI Centre
Free
Terms of Use brings together works that explore the impact of technologies on the definition, construction, and (re)framing of individual and collective selves
Free
As part of the exhibition Terms of Use, Quentin VerCetty and the PHI Foundation for Contemporary Art invite you to take part in the Missing Black Technofossils Here augmented reality (AR) walking tour
Free
I WILL NEVER FINISH REMOVING ALL THESE FACES. (GUIDED REFLECTION) is a public engagement project conceived by Nadège Grebmeier Forget and presented in dialogue with the exhibition Terms of Use
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The Taiwan Spotlight is part of the Chaos & Memories exhibition