Fondation PHI
451 Saint-Jean Street
Montréal, Québec H2Y 2R5
Wednesday to Sunday:
11 AM to 6 PM
Free admission
Warning: Works on the fourth floor are for an adult audience. Viewer discretion is advised.
DHC/ART is delighted to present two concurrent solo exhibitions by acclaimed Belgian sculptor Berlinde De Bruyckere and American painter John Currin – two leading international figurative artists working in a virtuosic, old masterly tradition yet testing and expanding the parameters of their respective disciplines.
One of the most provocative and successful artists of his generation, John Currin makes delightfully bad, perverse paintings which enchant and repel in equal measure. His art, which constantly evades categorization, pinpoints the moment where sublime beauty and the grotesque are held in productive tension. An irreverent mannerist who brings a satirical savvy to contemporary portraiture, Currin has been confounding and seducing critics and audiences for over two decades. His work is characterized by a meticulous, masterly technique and an unfashionable investment in classical painting traditions commingling with other representational languages drawn from popular culture, including movies, pinups and 70’s Scandinavian porn.
John Currin
John Currin (b. 1962, Boulder, Colorado) obtained an MFA from Yale in 1986. Major institutional exhibitions have included John Currin: Works on Paper at the Des Moines Art Center (2003); John Currin MOCA Chicago, Serpentine Gallery, London and The Whitney Museum of American Art, New York. He is represented in major museum collections including MoMA, and the Whitney Museum of American Art, New York; Tate Collection, London; and Centre Pompidou, Paris. John Currin lives and works in New York. He is represented by Gagosian Gallery where he has had several exhibitions.
Free
The PHI Centre building comes to life with an interactive multimedia installation of a motion-activated river on its four-story windows on Saint-Pierre Street
Free
An ongoing collection of contemporary artworks, accessible and free at the PHI Centre
Free
Terms of Use brings together works that explore the impact of technologies on the definition, construction, and (re)framing of individual and collective selves
Free
As part of the exhibition Terms of Use, Quentin VerCetty and the PHI Foundation for Contemporary Art invite you to take part in the Missing Black Technofossils Here augmented reality (AR) walking tour
Free
I WILL NEVER FINISH REMOVING ALL THESE FACES. (GUIDED REFLECTION) is a public engagement project conceived by Nadège Grebmeier Forget and presented in dialogue with the exhibition Terms of Use
The Taiwan Spotlight is part of the Chaos & Memories exhibition
Last Chance
An exhibition comprising a British immersive installation and four award-winning Taiwanese virtual reality works that take us through personal, empirical and historical experiences
FRAMERATE: Pulse of the Earth is part of the Chaos & Memories exhibition