In conjunction with the exhibition Terms of Use, which presents a newly-restored version of CyberPowWow (1997–2004), we are delighted to welcome researcher Mikhel Proulx, who will give an online lecture entitled “CyberPowWow: Indigenous Networks on the Electronic Frontier.”
CyberPowWow was launched in 1997 for the sharing of networked art made by Indigenous artists. As part of the collective Nation to Nation, the Kanienʼkehá:ka artist Skawennati created the platform within a context of self-determination movements that ran parallel to the rise of the Internet. CyberPowWow stands as a counterpoint to the suspicious tone of progress and conquest that has accompanied much of the cyberutopian discourse since the 1960s, and offers significant insights into the extractive systems of digital culture today.
This online discussion will look at the intersection of networked media and Indigenous self-determination to offer a settler-colonial reading of the Internet, and attend to this landmark platform for Indigenous digital culture.
The talk will be in English. French subtitles will be made available with the recording of the event.
Mikhel Proulx
Mikhel Proulx is an art researcher who has curated exhibitions across North America, Europe, and the Middle East. He lives in Montréal, where he recently defended his dissertation—a study of network-based art and social practice in Canada—which was awarded a top thesis prize from Leonardo Journal. His research considers network culture from queer-feminist and settler-colonial perspectives, and has been recently presented at the Digital Humanities Summer Institute; the Archivists Round Table of Metropolitan New York; Goldsmith’s College, London; Yale University; and the New Museum of Contemporary Art, New York. His first monographic book, soon to be published with McGill-Queens University Press, considers representations of queer sexualities in Weimar Berlin. In recent projects, he has collaborated with the artists Margaret Dragu, Skawennati, Peter Flemming, Vera Frenkel, Anna Banana, and Rita McKeough.
Free
Foundation
Terms of Use brings together works that explore the impact of technologies on the definition, construction, and (re)framing of individual and collective selves
Free
Foundation
Terms of Use brings together works that explore the impact of technologies on the definition, construction, and (re)framing of individual and collective selves
Off-Site Location
The immersive experience Space Explorers: THE INFINITE, presented in the Old Port, is back in Montreal featuring new captivating content captured in space
Centre
An immersive exhibition that explores the connections between sexuality and technology
Free
Foundation
The PHI Foundation for Contemporary Art is pleased to present a solo exhibition by Moridja Kitenge Banza: Inhabiting the Imaginary
Free
Centre
The PHI Centre showcases a light installation with evolving content, adapting to the seasons and exhibitions
Centre
Tune out the everyday noise and lose yourself in Montréal’s new immersive listening room
Free
Off-Site Location
Presented at Place des Arts, New Media Pioneers celebrates the work of Michel Lemieux of 4D ART and Édouard Lock
Foundation
In collaboration with Film POP, the PHI Foundation for Contemporary Art presents Fictional Revolutionary Leaders, a double bill including Gloria Camiruaga’s Popsicles (1984) and Beatriz Santiago Muñoz’s Oriana (2022)
Centre
The London-based DJ and singer will get you moving with her grooves celebrating soundsystem music
