This video is part of a co-creation project led by Marie-Hélène Lemaire and the PHI Foundation's education team in collaboration with special guest Adrienne Johnson. Here, Marie-Hélène and Adrienne analyze the photographs in Stan Douglas’ Penn Station’s Half Century (2020) series, focusing on the presence of bodies in space.
In addition to this video, Adrienne Johnson and Marie-Hélène Lemaire have also written a two-part essay: "Ways of Approaching Stan Douglas’s Art."
*English subtitles available. Click on the button in the bottom right corner of the video to activate them.
The PHI Foundation will present the Canadian premiere of Douglas’s series Penn Station’s Half Century, and for the first time in Québec, the Disco Angola series
The PHI Foundation will present the Canadian premiere of Douglas’s series Penn Station’s Half Century, and for the first time in Québec, the Disco Angola series
Gathering over forty recent works, DHC/ART’s inaugural exhibition by conceptual artist Marc Quinn is the largest ever mounted in North America and the artist’s first solo show in Canada
Six artists present works that in some way critically re-stage films, media spectacles, popular culture and, in one case, private moments of daily life
This poetic and often touching project speaks to us all about our relation to the loved one
DHC/ART Foundation for Contemporary Art is pleased to present the North American premiere of Christian Marclay’s Replay, a major exhibition gathering works in video by the internationally acclaimed artist
DHC/ART is pleased to present Particles of Reality, the first solo exhibition in Canada of the celebrated Israeli artist Michal Rovner, who divides her time between New York City and a farm in Israel
The inaugural DHC Session exhibition, Living Time, brings together selected documentation of renowned Taiwanese-American performance artist Tehching Hsieh’s One Year Performances and the films of young Dutch artist, Guido van der Werve
Eija-Liisa Ahtila’s film installations experiment with narrative storytelling, creating extraordinary tales out of ordinary human experiences
For more than thirty years, Jenny Holzer’s work has paired text and installation to examine personal and social realities
