
451 Saint-Jean Street
Marc Quinn
October 5 → January 6, 2008
Gathering over forty recent works, DHC/ART’s inaugural exhibition by conceptual artist Marc Quinn is the largest ever mounted in North America and the artist’s first solo show in Canada
For Larry Achiampong’s first major solo exhibition in the Americas, the PHI Foundation presents Relic Traveller, a large-scale, multidisciplinary project ongoing since 2017. Taking the form of a series of immersive installations specially conceived for the Foundation’s spaces and for the city of Montréal, this exhibition is composed of sculpture, images, film, sound, and a public art component.
451 Saint-Jean Street
Gathering over forty recent works, DHC/ART’s inaugural exhibition by conceptual artist Marc Quinn is the largest ever mounted in North America and the artist’s first solo show in Canada
451 Saint-Jean Street
Six artists present works that in some way critically re-stage films, media spectacles, popular culture and, in one case, private moments of daily life
451 Saint-Jean Street
This poetic and often touching project speaks to us all about our relation to the loved one
451 Saint-Jean Street
DHC/ART Foundation for Contemporary Art is pleased to present the North American premiere of Christian Marclay’s Replay, a major exhibition gathering works in video by the internationally acclaimed artist
451 Saint-Jean Street
DHC/ART is pleased to present Particles of Reality, the first solo exhibition in Canada of the celebrated Israeli artist Michal Rovner, who divides her time between New York City and a farm in Israel
451 Saint-Jean Street
The inaugural DHC Session exhibition, Living Time, brings together selected documentation of renowned Taiwanese-American performance artist Tehching Hsieh’s One Year Performances and the films of young Dutch artist, Guido van der Werve
451 Saint-Jean Street
Eija-Liisa Ahtila’s film installations experiment with narrative storytelling, creating extraordinary tales out of ordinary human experiences
451 Saint-Jean Street
For more than thirty years, Jenny Holzer’s work has paired text and installation to examine personal and social realities