PHI Perspectives: Disappearing cultures
- Technology ,
PHI Perspectives consists of a series of conferences with influential figures organized by the PHI Centre, every iteration sharing a common ambition—to re-evaluate our age-old systems, and to propose a shift in established models. Each event will act as material for videos on contemporary issues, commented by Cheryl Sim, Managing Director and Curator at the PHI Foundation. A journey through evolving thoughts, between theory and change, balancing technology and narration, and producing knowledge for future generations.
For many of us, technology appears to be an impenetrable black box. In this episode of PHI Perspectives, we will look at how technology informs storytelling and vice-versa. How as artists and creators, we can use technology as a tool to push our artistic practice further.
Gathering over forty recent works, DHC/ART’s inaugural exhibition by conceptual artist Marc Quinn is the largest ever mounted in North America and the artist’s first solo show in Canada
Six artists present works that in some way critically re-stage films, media spectacles, popular culture and, in one case, private moments of daily life
This poetic and often touching project speaks to us all about our relation to the loved one
DHC/ART Foundation for Contemporary Art is pleased to present the North American premiere of Christian Marclay’s Replay, a major exhibition gathering works in video by the internationally acclaimed artist
DHC/ART is pleased to present Particles of Reality, the first solo exhibition in Canada of the celebrated Israeli artist Michal Rovner, who divides her time between New York City and a farm in Israel
The inaugural DHC Session exhibition, Living Time, brings together selected documentation of renowned Taiwanese-American performance artist Tehching Hsieh’s One Year Performances and the films of young Dutch artist, Guido van der Werve
Eija-Liisa Ahtila’s film installations experiment with narrative storytelling, creating extraordinary tales out of ordinary human experiences
For more than thirty years, Jenny Holzer’s work has paired text and installation to examine personal and social realities